ABOUT

Hannah Goodwin is a director and dramaturg who lives and works on Gadigal land, in Sydney, Australia. She is currently the Resident Director at Belvoir St Theatre.

Her work includes: The Wrong Gods by S. Shakthidharan (co-dir. S. Shakthidharan, Belvoir & Melbourne Theatre Company), The Curious Incident of the Dog in the Night-time adapted by Simon Stephens (Belvoir), Never Closer by Grace Chapple (Belvoir, 25A & essential workers), The Almighty Sometimes by Kendall Feaver (Melbourne Theatre Company), A Very Expensive Poison by Lucy Prebble (NIDA), Blessed Union by Maeve Marsden (Belvoir & Sydney WorldPride), Wayside Bride by Alana Valentine (co-dir. Eamon Flack, Belvoir), Light Shining in Buckinghamshire by Caryl Churchill (co-dir. Eamon Flack, Belvoir), The Sorry Mum Project by Pippa Ellams (National Theatre of Parramatta, Bondi Feast), A Girl in School Uniform (Walks into a Bar) by Lulu Raczka (Kings Cross Theatre), and The Carousel by Pippa Ellams (Kings Cross Theatre, Merrigong X, Downstairs Belvoir, Shopfront Arts Co-op). As an Associate Director: A Midsummer Night’s Dream with Simone Young adapted by Eamon Flack (dir. Eamon Flack, Sydney Symphony Orchestra), Fangirls by Yve Blake (dir. Paige Rattray, Sydney Opera House). As an Assistant Director: Black Brass by Mararo Wangai (dir. Matt Edgerton, Belvoir), Stop Girl by Sally Sara (dir. Anne-Louise Sarks, Belvoir), My Brilliant Career adapted by Kendall Feaver (dir. Kate Champion, Belvoir), Packer and Sons by Tommy Murphy (dir. Eamon Flack, Belvoir), and Love by Patricia Cornelius (dir. Rachel Chant, Darlinghurst Theatre Company).

Hannah was the Andrew Cameron Fellow at Belvoir from 2020 to 2022, and the recipient of ATYP’s Rose Byrne Leadership Scholarship in 2019.